Shan He’s I want 1000 Rabbits also uses a prompt box as a central element. As the text in the box changes, the images in the background change as well. We see constantly changing “happy rabbits,” “vegetables and meat, for hotpot,” “gifts,” “snacks,” “fireworks,” “friends,” “happy friends who are sitting around table, eating hotpot, in the Chinese new year eve.” The film suddenly cuts to black and ends with a curious and striking text: one might be better.

One day in Los Angeles in search of love, connection and Nicki Minaj.

暂无剧情简介

Mara is a disillusioned actor dealing with the terror of time. When she’s thrown into a classroom of kids rehearsing a Disneyfied version of Chekhov's THREE SISTERS — her favorite play about existential longing — she swan dives into her own crisis of aging, nostalgia, and the loss of childhood dreams.

A comedy centered on a teenage girl who can hear what men are thinking.

From the silent era until today, the nightmares that have haunted our screen have been sculpted and embodied by women, but many of those artists have gone unrecognised – a historical oversight this documentary duly takes a chainsaw to. 　　Is horror a man’s world? You might assume so – but you won’t be thinking that way for long once you investigate the vast contribution women have made to horror movies for well over a century. In 2020, award-winning Australian critic Alexandra Heller-Nicholas released the definitive book on the subject: 1000 Women in Horror, 1895–2018, an encyclopaedic work celebrating the many women – filmmakers, actors, producers and technicians – who have shaped the genre since the moment cinema’s light first flickered. 　　In her complementary documentary, US director Donna Davies interviews a stack of powerhouse women in the horror scene, and assembles a bevy of clips from classic and little-known films that women have left their mark on. From filmmaker and programmer Kier-la Janisse (Woodlands Dark and Days Bewitched: A History of Folk Horror, MIFF 2021) and veteran performer Lin Shaye (A Nightmare on Elm Street; the Insidious franchise) to legendary Melbourne film scholars Cerise Howard and Heller-Nicholas herself, interviewees share their personal relationship with horror, addressing each theme the documentary explores sequentially: pregnancy, dolls, ageing, final girls and menstruation, to name just a few. Offering insights into the gender politics often explored through the genre, it’s a discussion that will continue even after you leave the cinema – while the smorgasbord of films referenced will have you scrambling for a pen and paper to take notes. 　　”Sit down, little boys; the grown-ups are talking.” – Alexandra Heller-Nicholas

Two girls just want to have - fame. And their path to being rich and famous lies through ups and downs of Stand Up Comedy. Never underestimate the ability of girls to stand up.

Showcases London and Kelly giving style makeovers, but with an approach focused on celebrating individual style rather than prescribing societal norms.

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讲述的是导演马云飞为追求艺术丢掉工作，却意外获得杨氏集团的千万电影基金，条件是找到老板的女儿尖尖作女一号。马云飞和资方安排的制片杨健一同踏上寻…